Today’s #ThrowbackThursday post goes all the way back to June of 2017 and the beginning chapter in the summer concert season. Long before we could even conceive of COVID, the summer months in cold weather climates are always something special.
And today’s post leans into the value of a pair of concert tickets. In these last seven years, inflation has reared its ugly head, making it more expensive to see a favorite artist, band, or comedian performing a live show. That pair of free tickets for a show can still generate a lot of buzz, especially for stations that can bring that sense of show business to their giveaway.
Ironically, a look at our “Why Radio?” chart in our commercial radio version of Techsurvey shows a dichotomy when it comes to contests and giveaways. On the one hand, giving away stuff is near the bottom of the hierarchy that explains why people still love radio. On the other, most stations continue their contesting activity.
Why the contradiction? Most program directors will tell you they work, in spite of the fact a small minority of listeners actively try to win. There are other residual benefits – namely, a great contest and/or prize contributes to a station’s brand strength. And these days, there may be another hidden plus – at a time when many people are exhausted, frustrated, and straining to keep it together, a fun contest with a bigger than life prize can bring a sense of joy to otherwise challenging times. Many enjoy playing along vicariously with a fun giveaway.
And then there are those rare moments when the unabashed excitement of hearing someone else so overjoyed with winning a prize is downright contagious. Excuse the dated references in this post and enjoy being in the moment with its emotional impact. And smile. We can still do this for people. – FJ
June 2017
Sometimes we get so close to our jobs of serving radio audiences that we lose touch with what they’re actually thinking.
Oh, sure – we know their music preferences or the types of topics they enjoy hearing the morning show talk about. We know from the ratings services how many there are and when they’re listening.
But the power of emotions on their listening behavior and perceptions often escapes us. That’s especially true when it comes to contests.
It’s true the vast majority of listeners don’t participate in station giveaways. Or we refer to that small percentage of regular players as “contest pigs” – people who make it part of their life’s mission to win prizes from many stations in the market.
For the rest of the audience, there are lots of reasons why people don’t compete to win radio contests. They’re too busy, they don’t they think they can win, or they’re just not oriented to try to win a prize.
Sometimes, it’s the prize itself that’s the problem. Stations wrestle with the concept of the one winner/one big prize (trips, cars, etc.) or the chance for many people to win lots of smaller prizes (concert tickets, movie passes, etc.). And there’s no certainly no “one size fits all” solution.
But it’s also true that when you work in radio, one of the perks is the privilege to attend shows, events, and concerts without having to pay. We’re used to being comped, sitting in VIP sections, and getting all sorts of freebies.
And so the net effect of working in radio for years is that it is easy to lose of sight what these prizes actually mean to real people. I would venture to say many radio pros don’t have a clue what concert tickets cost anymore. An evening out for two to see even a B-level band is expensive – not to mention the extra costs of parking, food, and beverage prices. And maybe a babysitter.
So the short video below from WDRV/Chicago says it all. A “correct caller” contest hosted by afternoon driver, Steve Seaver, for a pair of tickets generated this very real moment caught on video by the winner’s kid. (It is NSFW.)
It’s not a new car. It’s not a trip to Hawaii. It’s not $1,000 cash.
It’s a pair of great concert tickets.
If there was ever any question about radio’s ability to elevate moods, make people feel good, validate them, and maybe even change their lives, it is answered in this short (1 minute) but emotional video clip.
When stations throw away giveaways, treat them as just another element on the clock that needs to be executed on time, mail them in, or simply take them for granted, we lose that opportunity to make an indelible, lasting impression. It’s not the size or price of what we’re giving away that matters – it’s the way it’s presented, it’s the way we make listeners feel, and it’s the powerful effect it can have on a larger audience.
And when we talk about listeners as “contest pigs,” we minimize the larger opportunity radio has to connect emotionally with the audience as few other media outlets can.
It is notable that Pandora dumped its concert ticket company, Ticketfly, late last week, losing well more than $100 million after just a year of purchasing the online ticketing specialist. Clearly, Pandora was unsuccessful at integrating the concert/events experience with the passion its fans have for music. For broadcast radio, the connection with the concert business is a traditional one. Both businesses have the remarkable ability to promote and market one another.
Prizes as run-of-the-mill as a pair of concert tickets may not seem like a lot, especially compared with larger expenditures like outdoor advertising or direct mail. But to an average fan in Crystal Lake, Homewood, or Des Plaines, they just may be the thrill of a lifetime.
It’s a reminder to all of us about the value of entertainment – and the impact our stations have.
- An American Radio Horror Story - December 6, 2024
- Radio, Beware the Sushi Menu Approach to Digital Sales - December 5, 2024
- Elvis Has NOT Left The Building - December 4, 2024
Kevin M Fodor says
I wonder if this may have something to do with “collective contesting” in which, in some cases with your larger companies is akin to something like winning the Powerball. In other words, almost impossible.
Fred Jacobs says
They may play some role, Kevin. But contests have tested near the bottom of the heap for a long period of time. They can enhance the listening experiencee but are rarely the reason why consumers tune in to begin with.
Chuck Knight says
Thanks, Fred. I’ve always viewed contests as a simple way to keep the audio landscape of any station fresh. That’s important!
Fred Jacobs says
That is what they are – another tool in the kit, but rarely a main driver for why people listen. It is important to see contests and where they stand in the big scheme of things. How many stations have budgeted for big contests (and back in the day, marketinig) and yet, their programming – music/personwalities weren’t strong enough? Thanks for the comment, Chuck.