Comedy Central announced last week it’s starting up a podcast network.
It’s about time.
A story in Paste by Chris Compendio outlines Comedy Central’s podcast strategic plan. For starters, the cable network will build on-demand audio around existing properties like “The Jim Jefferies Show” and “The Daily Show.”
Presumably, Comedy Central will eventually launch podcasts around comedians and humorous concept they haven’t aired. In that way, their podcasting platform can function like a minor league baseball club, providing a measurable barometer for who and what will make people laugh. Podcasting will provide them with a barometer to beta test concepts and comics – something they cannot do now.
Comedy Central exec Steve Raizes believes “podcasting is the next step in the evolution of Comedy Central content…” Sure hope so.
Podcasting is also a perfect conduit for reaching millions of Millennials through a confluence of the comedy genre and the podcasting platform. There are nearly 80 million Millennials in the U.S.(79.8 million, to be precise), now outnumbering the influential Baby Boomers. And in this year’s Techsurvey13, Millennials lead all generations for weekly podcasting consumption – one-third access on-demand audio every week. That’s a target-rich environment for Comedy Central…and any media brand, including radio.
It’s especially important in television where Millennials continue to abandon the medium, especially real-time TV viewing. Podcasting’s on-demand DNA makes it perfectly compatible with the ways in which this generation entertains and informs itself.
The other key piece of the Comedy Central strategic puzzle has to do with podcasting preferences among GenY. It turns out that comedy runs a close second to music when it comes to hot on–demand categories.
For most radio brands, the same logic that drove Comedy Central to finally address the podcasting space is at work here, too. For stations that target Millennials, it’s a no-brainers.
But for stations that skew older – especially spoken word formats – podcasting is an ideal venue for reaching younger demos and contemporizing a station’s sound and perceptual image. That’s been one of the secrets that has powered public radio into the podcasting forefront, as programmers and managers watch progressively younger listeners access public radio content.
Writing and producing great podcasts isn’t an easy task. A look at the best in class reveals considerable investment in talent, production, and marketing. But the rewards are clear and obvious, in terms of additional revenue and an expanded, vibrant audience hungry for entertainment and comedy.
We are watching a medium grow and mature before our very eyes. And that’s another reason why for Comedy Central – and broadcast radio – podcasting is no laughing matter.
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Josh B says
Video and audio; new media; the money train adapts to the auto train. As history tells us the auto still is driving technologies of tmrw. Makes sense. For now; It still all rolls into one… Big Questions remain, what is the true/par valuation of new media formats now required, should be more pay but as usual, there’s much more talent in the new media world. Looks like educating the lost generation is most critical… Median age now 37, more b-days 1980 after… Visual radio or ‘hybrid’ formats are the future – u sit in the back in a smart driverless car to an Uber.. is the general thought correct in ur opinion ?
Fred Jacobs says
Even the people developing autonomous car technologies shrug when you ask about media consumption and time spent doing ? while passengers ride along in these vehicles. To be continued. And another reason why we’re looking forward to trekking to Vegas in January for CES2018. Thanks, Josh.