A recent story in The New York Times highlighted that famous Vh1 promotion back in the '80s where they gave away 36 Corvettes – from the very first model in 1953 all the way to the current year (1989) sports car. For a bit more than a million dollars, that much-buzzed about promotion helped put Vh1 – MTV's neglected little sister – on the map.
Conceived by branding and marketing impresario Jim Cahill, the Corvette promotion remains legendary more than two decades later. You still "ooh and ah" when you think about the magnitude of one guy winning all those dream cars. The winner was Dennis Amodeo who quickly flipped the cars to artist Peter Max who had an idea for an art project for the fleet that never materialized.
Now you're probably thinking, "Who has a million dollars to come up with a big promotion?" And in fact, when Cahill pitched the promotion to MTV Networks head, Tom Freston, the response was, "This is a big hunk of change, boys."
So, here's the kicker. MTV Networks made money on the promotion!
Working with Vh1's head of programming, Jeff Rowe (many of you remember him as radio PD Dallas Cole) and the GM of MTV/Vh1 Lee Masters, Cahill put together a plan to monetize the promotion utilizing 1-900 numbers.
Well, consider that in order to enter Vh1's contest, viewers had to use a 900-number with a fee of $2. By the end of the promotion, more than 1.3 million viewers paid $1.49 a call to enter, two presenting sponsors ponied up $500,000, along with another million from four participating sponsors. All told, $3 million dollars in profit to MTV Networks.
The story is a reminder of what you could do with a lot of imagination and a few bucks back in the day. But why couldn't you pull off a similar win-win promotion right now? What if your company came to you with a hunk of cash and the directive to "Shake it up, make some noise, and get people talking about the station." Or in the case of a startup, what if you actually had some working capital to launch a new station.
Don't laugh. I've had this conversation a couple of times already this year. While this might suggest that there is indeed the beginning of an economic recovery underway, it also is a reminder of how long it's been since radio stations had any significant dollars to use in order to move the promotional needle.
Guess what? It's not like the days when you could simply peruse this year's Filmhouse reel and buy something off the rack. So if you had some cash right ow, what kind of television spot would you create for your station or morning show that would stand out and accomplish your goals? Or would you even bother with TV at all?
I had a similar thing happen last week where a client programmer got a nice "gift" of contest dollars for second quarter. It had been so long since they had actually given something away that wasn't a part of a sponsorship deal, the PD had almost forgotten about some of the great contests and promotions his stations had pulled off in the past.
In an industry where it is becoming common to just play "small ball" with reduced staffs, minimal research, and virtually no promotional spending, it is even more important to keep thinking big in order to avoid totally losing sight of that big idea. And as we've learned time and again, it is possible to still put that big promotion together with a combination of client sponsorships, promotional ingenuity, and a few bucks.
Sometimes having no money for promotions and marketing becomes a self-fulfilling prophecy. Quarter after quarter, year after year, the promotional budget comes up bare. So managers stop asking for funds, and worse – they stop thinking about the "what if's" – the ideas that could generate awareness, more listening, and brand building.
At a time when everyone is being asked to do more with less, it is important to not let those big ideas and dreams gather dust. When MTV's Tom Freston came to Jim Cahill for that big idea, it didn't take long for that amazing promotion to come together.
All they did was make money and history.
Jacobs Media has consistently walked the walk in the digital space, providing insights and guidance through its well-read national Techsurveys.
In 2008, jacapps was launched - a mobile apps company that has designed and built more than 1,300 apps for both the Apple and Android platforms. In 2013, the DASH Conference was created - a mashup of radio and automotive, designed to foster better understanding of the "connected car" and its impact.
Along with providing the creative and intellectual direction for the company, Fred consults many of Jacobs Media's commercial and public radio clients, in addition to media brands looking to thrive in the rapidly changing tech environment.
Fred was inducted into the Radio Hall of Fame in 2018.
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Excellent, thought provoking piece, Fred. As a cable-caster and not broadcaster, VHI avoids the lottery issue. For radio, using a ‘text to enter’ tactic with a nominal, additonal fee is an enticing idea. But how to get around the random selection / everyone has an equal chance conundrum?
Thanks for the note, Bill. As you know, I’m no lawyer (I just watched a lot of Perry Mason as a kid). And I thought about the prize, chance, consideration issue as I was writing the post. My thought was that for listeners who do not wish to/cannot spend the money to enter, you could simply build into the rules that listeners could send you an entry in the mail, thus alleviating the fee. Obviously, most people would still call the 1-900 number, but this would hopefully satisfy legal. But I think it’s also true that it takes an awfully cool, big, fantasy prize like this in order to entice consumers to part with even a small entry fee. Thanks for contributing to the conversation.
You have to admit, giving away all those ‘vettes was a fantastic idea. More so than just giving away the million bucks. And, let’s be honest….if you want a chance to win a cool million, drop a dollar on a lottery ticket.
For those of us who don’t have $1,000,000 sitting in our prize fund, we have to get creative with those “smaller” prizes.
I remember when giving away an “autographed guitar” was a huge deal. Now Ebay has an array of just about any autograph of anything one could want.
While I believe concert tickets that come attached with the “meet n greet” are still a fantastic prize that money can’t buy…they really only appeal to the fan of that artist.
A good contest contains a prize that not only appeals to the active listener, but the passives as well.
Bottom line, in my opinion, is the execution of the promotion. The on-air announcemnets must engage the listener whether they participate in the contest or not. The Corvette giveaway provided a nice street buzz whether you’re a Chevy, Ford or Mopar fan.
There are perhaps dozens of places where you can register to win a Las Vegas or Ft. Lauderdale vacation. But if you repackage that trip and make it a “Fly Away to ANY vacation spot in the USA” using a variety of on-air creative promos as examples of where the winner might choose, it can create a thought provoking buzz among listeners.
In any event….Fred, I hope you’re right about the economy turning around soon. Thanks for the article.
Don-well said…
what we had with the Corvette Collection-was “perceived value”-in many cases-viewers thought of the collection as “priceless”-we had an American icon that was also aspirational (important in percieved value)…and the campaign we built was in fact a testament to the Jack McCoy style–true “theatre of the mind” production –something which radio used to be so good at…and we used a multi faceted campaign including teasers, teasers, teasers…….something BIG was COMING to VH1…and then when we opened the phones-it was really just a GIANT fantastic radio contest with pictures…I grew up a HUGE fan of Jack McCoy and KCBQ and I believe the lessons from the “last contest” was that you could “produce” the radio station with true “theatre of the mind” promotion that separated you from every station in town, simply with imagination and great promo production…
yes-KCBQ played the same music as any station of it’s ilk in the era-but became legendary through Jack’s belief that “imagination powered promo production” created a special place in the minds of listeners…
Bill…to your point…prize, chance, consideration was, of course a concern of ours in putting the VH1 contest together so we offered a free means of entry-and added all the “free” players to the database of folks who used the 900 #…the Corvette Collection could have been won by a free entry-as it was, the guy who won the cars only called 1 time (amazing)-but the method of entry was fair for all who wanted to participate…an important element in any game of chance. If it’s fair and it’s free-it could be for me!
Jim Cahill
I wonder how many great ideas like this are shot down, or worse yet – stillborn in the minds of the dreamers and never articulated – because of the fear that the massive nature of the concept or its mechanics couldn’t be articulated in a PPM world. BIG needs to be BIG, and while that doesn’t necessarily mean long, I think you’re shortchanging yourself if you just do a bunch of quick hit promos for something that’s H U G E.
Would even a compelling, well-written Jack McCoy-style “Last Contest” promo survive in today’s metered world?
Jay-
excellent point-and good food for thought. Ratings are ratings. Short term can always be an adversary of long term. It often comes down to who the boss is.
I think at the very heart of putting any great BIG concept in play is courage. When I hit Tom Freston with the concept of the Corvettes-he leaned back, put his feet up on the conference table and said “Do it.”-at the very heart of his decision was courage. Now of course it helped that he was Chairman & CEO of MTV Networks, but Tom is a very, very creative guy and he also clearly understood the moment and that we were playing for much more than incremental gains. This was a play to get MSO’s that were not in business with VH1 on board quickly (expand distribution) as well as generate heat on systems that were already carrying the network…most of all it was a consumer facing play that demanded a BIG BANG and needed to be SUPER successful on the PR side or not be attempted at all.
Truly big plays require courage & long term thinking. What creative concepts survive are up to the boss and if the boss has courage and you’re playing for the long run-I believe yes- a Jack McCoy style promo would/should look beyond the incremental and make a run toward LEGENDARY…from there, the buzz, vibe and audience follow. McCoy 101. Courage 101. Once you’ve hit that sweet spot-you’ve improved the asset value of the property, and that’s bigger than anything a single trend, book, meter or metric should ever trump.
I was in another situation four years later (also with Jeff Rowe who ran the Corvette play with me at VH1)…we were in an incredible high level pitch meeting with Don Ohlmeyer at NBC in Burbank and we were proposing the NBC2000 project (spilt screen credits/seamless prime time/early jump into late local news -a complete reinvention of NBC’s prime time presentation)-Don was President of Entertainment and it was his call entirely…
(the collective “Vice Presidential” brain trust in the conference room held it’s breath as we awaited DO’s response….
even though our concept would most certainly disrupt negotiated union labor agreements (screen credits & NABET) as well as put every business affairs attorney at every major studio in town into a ‘foaming at the mouth manical frenzy’ (they owned the programming-how dare we suggest such things?) Don said “YES” as fast as Tom did. NBC 2000 went on the air against the will of every studio & program supplier, and within 100 days, seamless “Must See TV” had catapulted NBC from 3rd to 1st and NBC went on a 10 year tear of white hot ratings, monster hit shows and record profits…
Don was thinking long term. Don was thinking increase asset value. At the heart of his decision-courage.
Jim Cahill