Today’s #Throwback Thursday post is a tip of the hat to Halloween, celebrated by many adults this weekend, and officially by kids on Monday. After a couple of “COVID Halloweens,” hopefully, we’ll see more junior-goblins, ghouls, zombies, and maybe even some mini-Musks. In the UK, it would not be the least bit surprising to see pint-sized versions of Boris Johnson and Liz Truss, two ghosts from that country’s political graveyard.
Speaking of zombies, they’re the theme of today’s post that I’ve brought back from the dead…er, the archives. I’ve made a few subtle modifications for relevance, but the theme is examining some of your station’s old, tired routines and traditions. Sadly, budget cuts over the years may have already gotten the process going.
The imperative to keep it fresh and even a bit unpredictable is something many programmers aspire to, but it’s never easy – especially at stations that have been around for a long time.
Meantime, enjoy this year’s Halloween, check your candy, and let me know about the most creative costumes of this season. -FJ
November 2016
As the year rapidly winds down, it’s the perfect time to honestly assess your radio station – its activities, projects, and initiatives. This is especially the case for stations that have been around for at least a decade – or decades.
Between tradition, sponsorships, and budget issues, it’s not at all unusual for stations to be engaged in activities and events that have perhaps worn out their welcome – or are in serious need of reinvention. The concept of assessing the station arsenal – events, features, sales promotions, and digital assets – and virtually every activity that’s part of the station brand is the topic of a new exercise you might want to consider before the end of the year.
As a programmer, I recall many events – steeped in history and tradition – that my station did year in and year out, even though we questioned their impact, effectiveness, and value. Like movie sequels, the more you find yourself referring to events as “The 10th annual,” you may be dealing with tired concepts that need to be freshened – or terminated.
If you’ve been around your station for a while, you may be asking yourself, “Why are we still doing this?” only to get caught up in the inertia that is so common to how radio stations operate.
And if you’re new to a station, this exercise can be the perfect way to bring your core staff together to honestly assess the value of so-called “evergreens” that have become zombie-like.
Conceived by former GoKart Labs’ partner Matthew Johnson, the idea is to “assess historical/current activities” that, in this case, are common to radio stations in multiple departments – programming, promotions, digital and sales.
Matthew’s premise is that these activities can be broken into three categories:
1. Zombies
These are ideas, events, and features that aren’t necessarily “dead or alive.” They simply walk through the organization, sucking up time and resources. Johnson stresses they need to be killed or brought back to life. In their “undead” stage, they can sap the energy and life out of stations.
I see lots of “zombies” all over stations websites – dated jock bios and photos for events that are dated, tired, or no longer relevant. With a little effort, an assessment of your digital assets to clean out all that “half-dead” stuff might be a smart mission especially over the holidays.
2. Dead bodies
These are ideas, features, promotions, and events the station has tried, they’ve failed, and shouldn’t be brought back. And yet, how often are station teams guilty of repeating events and features that didn’t work the first time? Sometimes, these cadavers continue to take up space at the station because they have dollars attached to them. Yet, they’re still very dead.
No one can afford to walk away from revenue in radio, but perhaps these barely breathing activities can be replaced by content that matters and that listeners care about.
Our work with many station databases indicate there is no shortage of “dead bodies” (in some cases, literally) on email lists. Cleaning out those databases may initially bring your numbers down, but make for a more workable, effective database.
3. Heroes
And here Johnson underlines unexpected heroes – initiatives that perhaps surprised the team because they exceeded everyone’s expectations. The key is to determine what worked well about these features, events, and promotions and how can those characteristics and elements be applied to new initiatives?
Back in 2016, here’s how Matthew presented this exercise:
If phrases like “because we’ve always done it” or “it’s part of our tradition” are heard in your hallways and conference room, they’re symptoms there may be “zombies” lurking in your station. This strategic activity helps you take a deeper look down the sales cubicles, into the prize closet, and inside the production studio to truly freshen your station as you head into the new year.
The last thing a radio station needs is digital content, events, and initiatives that fall under the heading of “the walking dead.” Not getting hung up on the “zombies,” in your operation, and instead, focusing on those “heroes” is the first step in planning a successful 2017.
And if Matthew Johnson doesn’t mind, here’s an addition to the exercise:
4. Resurrections
Many year ago, Steve Goldstein introduced me to the phrase, “If it was working so well, we stopped doing it.” How many truly effective promotions, features, and events turned out to be one-offs or perhaps were halted during the pandemic – and not brought back.
Are there great ideas waiting to be resurrected, that could be brought back to live over the holidays or in 2023? Are there “evergreens” that could be updated with a little digital “magic dust,” that could freshen up the station in the new year?
Enjoy Halloween 2022! – FJ
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Kim C. says
The brick wall I’ve run up against regarding tried, worn out ideas, events, and features is the client ultimately makes the rogramming decision. We tried to change it up for a client who had sponsored a segment for 10+ years with the previous host
regardless of better sponsorship ideas, more for their money they were unwilling to try something new and the radio station management did not want to lose revenue.
Fred Jacobs says
Kim, you’ve identified a speed bump here. Advertiser self-interest does not take the radio station into account. They just care about thte perceived response to their ads. How else can you explain the Kars-4-Kids “creative?” A strong relationship with clients where there’s trust is a start. But I know how rare this is. Thanks for commenting.